Freitag, 30. September 2011
Five Reasons To See '50/50'
In a nutshell, "50/50" is movie about an otherwise average 27-year-old guy named Adam who gets diagnosed with cancer, and what happens to his life and the people in it when faced with 50/50 odds of survival.
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'50/50': The Reviews Are In
Most critics think the comedy about cancer proves anything can be funny.
By Eric Ditzian
Anna Kendrick and Joseph Gordon Levitt in "50/50"
Photo: Summit Entertainment
When Will Reiser first found out he had cancer, he and his comedy-writer buddies (including Seth Rogen and "Pineapple Express" scribe Evan Goldberg) would jokingly wonder if Reiser's disease would bring them all a Make-a-Wish opportunity to hang with Led Zeppelin.
That rock-and-roll dream never came true, but Reiser's battle with, and eventual remission from, cancer did gift them all with one thing: "50/50," a comedy (out now) that is drawing rave reviews from critics and is being discussed as a possible contender come awards season. Though not all reviewers have found it easy to find yuks in a deadly serious topic, far more point to the film as an example that nothing is out of bounds when it comes to art and comedy; handled deftly, anything can lead to laughter and learning.
The Story
"Adam Lerner (Joseph Gordon-Levitt) is a nice guy with a great job at a Seattle NPR station, a promising relationship with up-and-coming artist Rachael (Bryce Dallas Howard), a best-friend-since-high-school named Kyle (Seth Rogen) to hang with -- and, as he learns to his horror in a doctor's office, cancer. ... Also woven deftly into the mixture is Anna Kendrick as a young (very young) therapist assigned to work with Adam; [Anjelica] Huston as the kind of mother who explains 'I want you to know that I smothered him because I love him' to anyone who will listen. ... It's not a perfect movie, but it doesn't matter. '50/50' takes on a bold subject and makes us laugh and cry. I thought I didn't want to see a cancer comedy; I was wrong." -- Moira McDonald, The Seattle Times
The Laughs
"Scenes where the pals trash a piece of once-important memorabilia in a backyard rampage and the after-effects of pot-laden cookies scored at the chemotherapy clinic show loopily grinning Gordon-Levitt at his best. Kudos to [director Jonathan] Levine for not letting Rogen's very funny comedic bits overshadow the proceedings. The actor dials it down ever so slightly and isn't afraid to be the butt of jokes -- watch for Gordon-Levitt's spot-on Rogen impersonation. The suggestion a bald head and a cancer diagnosis could be the ultimate pickup leverage leads Adam and Kyle into funny territory. But the hilarity turns with the exploration of deeper relationships as Adam finds new friends among the genial stoners of all ages at the chemo clinic." -- Linda Barnard, Toronto Star
The Writing
"[Reiser] draws on his personal battle with a rare form of that disease. His success rate in the delicate balance between comedy and the profound devastation of such an illness is much greater than 50/50, but the film is not without its tonal lapses. ... Reiser has written his characters with an indelible sweetness and vulnerability, which allows the cast to deliver performances with some depth. So a situation such as Kyle insisting that Adam and he should cruise girls at a bar looking for sympathy lays -- Cruisin' with the Big C as it were -- comes off as quite funny as does Adam's first chemo session where he ingests weed-laced sweets created by a fellow patient's wife and floats out of the hospital afterwards." -- Kirk Honeycutt, The Hollywood Reporter
The Dissenters
"In the pantheon of tastelessness designed to make you laugh at diarrhea, menstruation, masturbation, yeast infections, fellatio and worse, you can now add a stupid horror called '50/50.' Artificial, irresponsible, filthy and forgettable, it knocks itself cross-eyed trying to make you roar with laughter at chemotherapy, with the nauseating Seth Rogen milking most of the yuks. But a stoner comedy about cancer? I don't think so." -- Rex Reed, The New York Observer
The Final Word
"The reason '50/50' works is it's not trying to force us into any particular emotion. It fits in the emerging category of sad-man comedies such as 'Up in the Air' and 'Crazy, Stupid Love,' telling its downbeat tale with tenderness, sincerity and warmth. '50/50' isn't a cancer buddy comedy or a male weepie but a message movie. The message is that you can tackle pretty much any subject matter and tell a story any way you want to onscreen as long as it's absorbing." -- Colin Covert, Minneapolis Star Tribune
Check out everything we've got on "50/50."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
T.I. Drops 'I'm Flexin',' His First Post-Prison Track
Big K.R.I.T. produced the song and is featured on the chorus.
By Alvin Blanco
T.I. just completed his 11-month prison sentence Thursday, and he's already dropping musical heat. On Friday (September 30), the Atlanta rapper released his first post-prison single, "I'm Flexin'," featuring Big K.R.I.T.
The song was originally due for release Monday, but instead, fans are getting an end-of-the-week treat. The multitalented K.R.I.T., whose debut album's release has been pushed back to next year, handles the song's chorus and production, while T.I. delivers three verses with a double-time flow, using the song to assert that he is officially back. "My hustle grand, my money long, my spot on top but y'all want that/ My position vacant, my crown away but my throne is empty, I own that," he spits on the second verse over the instrumental's nimble drums, keys and electric guitars.
T.I. appeared on New York radio station Hot 107, giving his first interview since being released from prison. During his chat, T.I. gave praise to the current movement in his hometown of Atlanta with the surge of new rappers and said that the city needs his help. Later Friday, Tip will celebrate his birthday at Atlanta's Club Esso.
Since his return to a halfway house to finish his federal sentence, Tip has appeared on songs with 2Chainz ("Spend It" remix), Future ("Magic" remix) and Young Jeezy ("F.A.ME."). But "I'm Flexin'," which was released via Tip's TrapMuzik.com website, is the first song credited as his own. Also made available was an excerpt from the trap rapper's upcoming novel, "Power & Beauty: A Love Story of Life on the Streets," co-written with David Ritz, which will be released October 18.
As for more music, a message Thursday on Tip's Twitter reveals that fans can expect a few more remixes from the "Rubberband Man" shortly. "N!*%$ in Paris already a dun-datta...pending Ye&J's approval. 'Sleezy' w/Ke$ha & 'Magic' w/Future too...what else???" he tweeted.
"The record is hot," DJ Drama, T.I.'s longtime collaborator, told MTV News about "I'm Flexin' " earlier this week. "Big K.R.I.T. deserves it. He's been working for a long time. So they're both fans of each other, so sh-- is definitely gonna be a nice sound for the ear."
What do you think of "I'm Flexin' "? Share your reviews in the comments!
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'Dark Knight Rises' Catwoman Suit: Style Vs. Utility
When it comes to "The Dark Knight Rises," Catwoman faces her greatest challenge of all: which is more important, style or utility?
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Lil Wayne Channels Jimi Hendrix For New Vibe Cover
'Music isn't about competition no more. All the gangster rappers are happy,' Wayne tells magazine.
By Rob Markman
Lil Wayne on the October/November 2011 cover of <i>Vibe</i>
Photo: VIBE
Lil Wayne is himself a music icon, but on the cover of Vibe magazine's October/November issue, the YMCMB superstar channels the spirit of another. Sporting a regal red and gold-accented coat, similar to one that Jimi Hendrix famously wore, Weezy capped off his outfit with a black fedora and black sunglasses, finding inspiration in the legendary guitarist. In his interview, Wayne opened up about competition in rap, his feud with Jay-Z and Drake's success, and of course, MTV News got the exclusive scoop.
"There's no competition [with any artists]. Music isn't about competition no more. All the gangster rappers are happy, all the skateboard rappers are happy, all the white rappers are happy. ... Everybody just happy to do music these days," Weezy said in an exclusive magazine excerpt obtained by MTV News. "There are no problems. That sh-- died a long time ago with them old-ass rappers. We are just making music, making money and having fun — feeding our families. Competition is for the old guys."
The quote is a bit contradictory considering Wayne threw a shot at Jay-Z on "I'm Good," a song off of his latest album, Tha Carter IV. The two have quietly been feuding for some time now, throwing subliminal darts in each other's direction, never actually acknowledging each other by name. When asked if he expected any backlash from the dis, Wayne stood confident.
"Well, I'm a man. I believe as a man, you should know that. Every man should know the repercussions and consequences behind whatever they do before they do it. And of course, I know there won't be any repercussions behind what I did," the rapper told Vibe.
Hip-hop beefs are a very small part of Wayne's dynamic. Vibe editor in chief Jermaine Hall said that the Young Money boss is more than just a rapper, citing his 2010 rock-inspired Rebirth album and his acoustic hit "How to Love" as examples of Tunechi's reach. It was his diversity and modern-day rock swag that led the magazine to use Hendrix as a muse.
"He was very into the Jimi Hendrix concept," Hall said of the shoot, which took place in Miami in early August. "I didn't know how far Wayne was willing to take it. But it just so happens that Jimi is also one of his idols and actually one of the people that influenced him to pick up a guitar and try to learn how to play. So he was 100 percent onboard with the concept."
In the issue, which also features Chris Rock, J. Cole and a story on Tupac's Hollywood impact, Vibe also got Weezy to open up about Drake's success. Is his competitive spirit fueled by Drizzy's accomplishments? Not in the least bit. "I don't look at it like that. Drake is my artist. If he wasn't my artist, then yeah, maybe," he said of their relationship. "But that's my artist. He's not [just] a friend. We're more than friends. It's business. It would be impossible for it to be a competition. I mean, I'm the guy's boss."
Weezy also gets political talking about his feelings on the riots that rocked London this past August. "All you could do is pray for the people that were dealing with the situation and hope for the best. As far as them blaming hip-hop, you can blame Jesus for things, so you can't really fault anybody for blaming someone or something. All you can do is hope for the best," he said in response to those who blamed rap for the political upheaval.
"Wayne is the type of artist ... obviously he's a rock star, he's loved in the 'hood, he's touching so many pockets around this country right now," Hall said of his latest cover subject. "It's what allows him to come out first week and do [almost a million]. He's not just dealing with one audience anymore."
Related Artists'X Factor': J. Mark Inman And More Oddballs Shine
Country cuties Makenna and Brock take a more traditional route to Boot Camp.
By Adam Graham
"The X Factor" threw viewers a few curveballs on Wednesday night's (September 28) episode. Having been weaned on years of gag auditions from "American Idol," we've been trained to pick out the phony contestants from the contenders.
Or so we thought. But J. Mark Inman -- a 31-year-old philosophy student who compared his life to "the algorithm for pi" -- threw a wrench into that system with his bizarro take on Radiohead's "Creep."
What does our expert think of "X Factor" so far? Find out!
Backed by a stuttering electronic track he made himself, Inman -- who looks exactly like the kind of person who would compare his life to the algorithm for pi -- seemed as out of place as Mark Zuckerberg at a karaoke bar but had a magnetic, inexplicable confidence about him. As he took on "Creep," he shuffled across the stage with his mock Usher moves and somehow, his subdued, off-kilter take on the alt-rock classic simply worked. Said L.A. Reid: "It sounded so bad, but felt so good." Inman was sent through to the next round, and he seemed as shocked as anyone.
Josh Krajcik, a self-described "burrito slinger" from Columbus, Ohio, also looked far from your typical pop singer, with his scruffy beard, laundry-day attire and long, greasy hair. But when he sang a deeply soulful version of Etta James' "At Last," the 30-year-old took the judges by surprise and was passed through to the next round. "You need to give the slinging-burritos job to somebody else," Reid informed him.
Meanwhile, producers initially presented 14-year-old Drew Ryniewicz as a bubbly Justin Bieber obsessive (she gazes at pictures of him in her bedroom and knows that his favorite colors are purple and red) and nothing more. But when she sang a down-tempo, piano-driven version of Bieber's "Baby" that brought out an undercurrent of sadness and longing in the song, she won over even Reid, who has helped mold Bieber's career. "You are special," Reid told her, while Paula Abdul called Ryniewicz "commendable, original, daring and bold." We'll see her again in Boot Camp.
And sure, Skyelor Anderson seemed odd enough; as he said himself, "You don't find a lot of young black teenagers that sing country music." But the 16-year-old Mississippi native showed real tenacity, singing a cappella when his backing track unexpectedly dropped out on him. The judges loved his resourcefulness and his Southern manners and sent him through. As Anderson himself said, Git-R-Done!
Among the more traditional contestants introduced on Wednesday's show were Makenna and Brock, a 22- and 18-year-old singing duo with a secret (he has a crush on her, she doesn't know it -- well, until she watched him admit it on national television, that is); Arin Ray, a 15-year-old whose "Ain't No Sunshine" earned him four "yes" votes from the judges; 4Shore, a quartet whose version of Boyz II Men's "End of the Road" had even songwriter Reid on his feet; Elaine Gibbs, a 53-year-old grandmother who took the judges to church with her gospelized "You've Got a Friend"; Tiger Budbill, a 42-year-old wedding DJ who might have the best name in the competition so far; Phillip Lomax, a 21-year-old self-described "hipster" with a 1,000-watt smile; and 17-year-old Francesca Duncan, whose version of Mariah Carey's "Hero" earned her unanimous passing grades from the judges.
The night's biggest drama came from 19-year-old Tiah Tolliver, a deli clerk who auditioned with Shontelle's "Impossible." Simon Cowell and Reid let her through, but when Abdul and Nicole Scherzinger both passed, citing problems with her key, Cowell reacted by throwing a minor hissy fit and tossing his pen from his hands. Before she was dismissed, Reid convinced her to sing one more song, and Tolliver's "It Don't Mean a Thing (If It Ain't Got That Swing)" was good enough that Scherzinger gave her a pass, allowing her through to the next round and making Cowell happy. And on this show, that may be the most important thing of all.
What did you think of Wednesday's "X Factor"? Let us know in the comments!
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Michael Jackson Doctor Left 'Panicked' Voicemail After Death
In addition to assistant's testimony, bodyguard claims MJ's kids were in the room when he died.
By Gil Kaufman, with additional reporting by Kara Warner
Dr. Conrad Murray
Photo: Pool/ Getty Images
Day two of testimony in the manslaughter trial of former Michael Jackson doctor Conrad Murray featured more damning revelations from MJ's personal assistant and head of security, as well as employees of AEG Live, the firm that was promoting the singer's 50-show This Is It attempted comeback tour.
Among the revelations Wednesday (September 28), an attorney for AEG Live, Kathy Jorrie, described the contract she wrote up between AEG, Murray and Jackson. The document specified that Murray was to be paid a $150,000-a-month retainer, even when This Is It was on hiatus, and that the cardiologist requested a CPR machine for Jackson during the run of the shows in London.
As for why he needed a machine used for resuscitation, TMZ reported that Murray claimed he didn't want to take chances given MJ's age (50) and the strenuous nature of the show. Jorrie also said that in a conversation with Murray on June 24, 2009 — the day before Jackson's death — the doctor said he'd seen his client perform and that he appeared to be in "perfect" health.
She also confirmed that the contract — drafted 10 days before Jackson's death — had never been signed by any of the parties and that it contained revisions requested by Murray, including retroactive pay dating back to May 2009 through March 2010 and a clause exempting him from refunding any of his monthly retainer if Jackson changed his mind or canceled the tour.
In an effort to lay out the timeline of events on the day of Jackson's death, prosecutors called the pop icon's personal assistant, Michael Amir Williams, who discussed a panicked voicemail he received from Murray. After watching an "amazing" rehearsal the night before, Williams said he picked up an urgent voicemail from Murray the next day at 12:13 p.m. asking him to call back right away to discuss a "bad reaction" MJ had.
When Williams arrived at Jackson's rented Beverly Hills estate, the first thing he saw was his boss on a gurney and a "frantic-looking Murray, who, after Jackson was pronounced dead, confided to Williams that there was some "cream Michael wouldn't want the world to know about" at the house. Williams drove Murray back to the mansion to retrieve the "cream," and after checking with Jackson's head of security, they let the doctor back into the house.
AEG Live co-CEO Paul Gongaware was back on the stand again Wednesday, testifying that Murray had initially asked for the exorbitant sum of $5 million per year to take care of Jackson. When the singer insisted that he wanted Murray to take care of him, he instructed Gongaware to call back and offer $150,000 a month.
The final witness to testify Wednesday was Jackson's head of security, Faheem Muhammad, who described arriving on the scene to see Murray frantically trying to resuscitate the fallen pop star, while two of Jackson's children, Paris and Prince, looked on. Muhammad said Jackson appeared to be dead when he arrived and that when he noticed the children in the room, he took them downstairs. Muhammad added that he heard Murray asking if anyone knew CPR, which prompted fellow bodyguard Alberto Alvarez to try to help.
On Tuesday, the opening day of the trial, in addition to disturbing photos of Jackson and a voicemail in which the singer's speech was slurred and garbled, the jury heard from longtime friend and choreographer Kenny Ortega, who said he could tell something was not right with Jackson.
Murray has been charged with involuntary manslaughter and administering the fatal dose of the surgical anesthetic propofol that caused Jackson's death and faces four years in prison and the loss of his medical license if found guilty.
Defense attorney Ed Chernoff told the jury Tuesday that Jackson caused his own death by swallowing eight 2-milligram pills of the anti-anxiety drug Lorazepam, as well as injecting himself with a dose of propofol that instantly killed him. Testimony in the trial continues Thursday.
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Styles P To Drop By 'RapFix Live'!
D-Block MC will share the couch with Glasses Malone and host Sway on Wednesday at 4 p.m. on MTV.com.
By Alvin Blanco
The second episode of the second season of MTV's "RapFix Live" is guaranteed to be another amazing show thanks to special guest Styles P.
Last week, Philly rapper Freeway came through and chopped it up about his past, current and future endeavors. This week's invitee is a New York City hip-hop veteran who also has plenty of news to share. Styles P, a.k.a. the Ghost, is a member of the LOX (with partners Sheek Louch and Jadakiss) but he has enjoyed a successful solo career too.
After dropping a couple of official mixtapes last year (as well as authoring a book titled "Invincible"), the Yonkers MC is preparing to release his fourth proper solo album, Master of Ceremonies, on October 4. Recently, he shot the video for the album's lead single "Harsh," with Rick Ross and Busta Rhymes.
Apart from his music business — he was featured on Rick Ross' 2010 smash hit "B.M.F. (Blowin' Money Fast)" — Styles recently opened a juice bar, Juices for Life, in New York City's the Bronx. Styles and his D-Block crew are also at work on a collaborative project with members of Wu-Tang Clan (Raekwon, Ghostface Killah, and more) called Wu-Block.
Also appearing on Wednesday's edition of "RapFix Live" is Cash Money Records rapper Glasses Malone, who'll stop by to premiere his new video for "No Sympathy."
"I wish I could sing sometimes, but I can't, so what I try to do is keep carving my niche at this gangsta sh--," Malone told MTV News recently. "I figure, I can't top Drake doin' what he's doin'. Drake is that n---a, he got it together. Wayne is that n---a, but I could make them n---as like, 'Man that n---a G's sh-- hard.' And once you do that, you win."
"No Sympathy" features Malone's fellow Cali MC on the come up Jay Rock and appears on Glasses' just-released debut, Beach Cruiser. Jay Rock joined host Sway on the "RFL" couch earlier this month and participated in an epic freestyle cipher, along with Freddie Gibbs and Kendrick Lamar, at the end of the live stream.
Tweet your questions for Styles and Glasses Malone to @MTVNews with the hashtag #RapFixLive.
Catch Styles P and Glasses Malone on "RapFix Live" on Wednesday, September 27, at 4 p.m. ET on MTV.com!
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Julianne Hough Is Our New Class' 'Triple Threat'
'Footloose' actress tells MTV News she emulates Reese Witherspoon.
By Kara Warner
Julianne Hough
Photo: Denise Truscello/ WireImage
Julianne Hough's résumé is so chock-full of accomplishments, it doesn't seem possible that one person could pack so much into 23 short years on the planet. In other words, unless you've been living under a rock, you've seen or heard the petite, talented entertainment dynamo on TV, the big screen or radio.
If you're a "Dancing With the Stars" fan, you know Hough from the fancy footwork she demonstrated as a professional dancer for four seasons, two of which she won with partners Helio Castroneves (in season four) and Apolo Ohno (in season five). If you're a country music fan, you might have noticed the Utah native being named the Top New Female Vocalist and Top New Artist at the Academy of Country Music Awards in 2009.
Most recently, Hough has been dipping her toes into the world of movie acting. Her first big role was in 2010's "Burlesque" alongside Cher and Christina Aguilera, followed by a starring role in this fall's highly anticipated reboot of "Footloose."
Perhaps it's now easy to see why Hough has been named "Most Likely to be a Triple Threat" in MTV Movies' New Class. She can do it all, and by the look and sound of it, she's just getting started with an eventful career.
MTV News recently caught up with the superstar-in-the-making to see how she's juggling all her different career paths and what it means to be named to our New Class.
"Obviously, it never gets old. Every day, I am shocked and surprised and so excited that anybody would want to put me in any kind of list or category as up-and-comers," she admitted. "That's the dream. I've always wanted to do this and to be recognized for something that you always want, but it's so hard to even think you can achieve. It's pretty crazy; it's surreal. Thank you!"
With regard to whether she prefers being categorized as a dancer, actress or singer, Hough said she just wants to entertain, and is taking her cue from the multitalented stars of Hollywood's Golden Age.
"The actors and entertainers from early on — the '20s and '30s and '40s — they did everything: They were singers, they were actors, they were just entertainers. And people ask me, ... 'What do you like more, if you had to choose?' And I'm like, 'I don't want to choose!' I love all of them, and each fulfills something different inside of me."
When pressed to pick an actress' career she hopes to emulate, Hough revealed she has her eyes on another recognizable blonde's ambitions.
"Reese Witherspoon: As a young actress, she was so dramatic and did these really great roles, and then definitely moved up to be America's sweetheart, so I definitely watch her career and try to make some decisions like she has."
Look out for Hough as sassy free spirit Ariel Moore in "Footloose" and in the star-studded "Rock of Ages" next summer. The triple threat said her sophomore album will be out in the near future or "when it's really ready."
For more on all the up-and-comers who make up MTV's New Class, go to TheNewClass.MTV.com.
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Lady Gaga Questions President Obama On Bullying
Mother Monster attended an Obama fundraiser over the weekend at home of Facebook COO.
By Gil Kaufman
Lady Gaga is not one to make a promise to her Little Monsters and not keep it. That explains why she raised her hand and asked President Obama a question about bullying at a Silicon Valley fundraising event for the Commander in Chief over the weekend at the home of Facebook Chief Operating Officer Sheryl Sandberg.
The $38,500-per-couple event for around 70 guests took place under a tent in Sandberg's yard and, according to ABC News, it's where Gaga made good on a Twitter vow she'd posted last Wednesday in reaction to the suicide of bullied teen Jamey Rodemeyer. Gaga — who turned heads in a black dress with a dramatically plunging back, extremely high heels, a blond upswept hairdo and a black veil covering the back of her hair — brought up the issue during the Q&A segment of the event.
Though a transcript of the exchange is not available, according to reports, she first thanked Obama for what he's done so far on the subject — which includes a forum held earlier this year about bullying and an "It Gets Better" video — and then read from what she described as a letter from a fan about the suicide of another Little Monster who had been bullied.
After congratulating the president on all of the things he's accomplished so far in his first term, Gaga made what was described as a "general plea" to everyone in the room, including the president, to do what they can to prevent bullying. Obama then reportedly thanked her, re-iterated his administration's anti-bullying work and spoke in general about the importance of values.
Gaga also reportedly had a bit of face time with Obama before dinner, when she walked through the photo line with her manager and spoke to the president for two minutes in a room full of other guests. The singer dedicated her song "Hair" to Rodemeyer at Saturday's iHeartRadio festival in Las Vegas, speaking out in support of the gay teen who committed suicide last week after enduring years of bullying by his school peers.
Just days after the 14-year-old's death, Gaga was so shaken that she called on Obama to enact laws that would make bullying a hate crime. "The past days I've spent reflecting, crying, and yelling," she tweeted on Wednesday. "I have so much anger. It is hard to feel love when cruelty takes someone's life." She went further, posting Rodemeyer's "It Gets Better" video, and insisting that bullying "must become illegal. It is a hate crime."
It was then that she revealed she planned to meet with Obama to discuss the matter.
MTV's ongoing "A Thin Line" project provides stories and resources for anyone who believes they are being cyberbullied or who is looking for ways to stop harassment by digital means. And check out our story for more info on the results of a recent MTV/Associated Press study about the prevalence of digital abuse and cyberbullying among young people.
What do you think of Lady Gaga's activism on the bullying issue? We want to hear from you in the comments section.
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Alan Graham allowed singer to film 'We Found Love' clip in his Northern Ireland cornfield.
By Jocelyn Vena
Rihanna shoots a music video for "We Found Love" in Northern Ireland
Photo: Photopress Belfast/Splash News
Rihanna may be doing her best Mariah Carey "Dreamlover" impression in her video for "We Found Love," but a farmer didn't feel comfortable watching Rihanna run around a Northern Ireland cornfield in a bikini top and low-rise jeans.
DUP Alderman Alan Graham spoke to the BBC about the "We Found Love" video shoot. The shoot was moved onto his property, and he felt that the singer was too scantily clad.
"There was an arrangement made last week. There was no formal agreement. Rihanna arrived on Monday. I did not prevent her video at all. I did not object to her outfit at all, that was an exaggeration," he said in an interview with the BBC. "Most of the video took place on a field adjacent to me, which was in a public place. It was when the film crew went further away from the road that I felt things were getting inappropriate and I asked the filming to stop."
While photos of the shoot show Ri wearing a flannel top and jeans with a bikini underneath, Graham explained it was a look he did not approve of. "The issue was that I felt Rihanna was in a more state of undress than a bikini top," he said. "She was wearing jeans, of course she was. It was only when they moved for five or ten minutes into our field that I felt things were getting inappropriate."
Graham added during the interview that he had no idea who Rihanna was when he agreed to let her shoot there. "From my point of view, it was my land, I have an ethos and I felt it was inappropriate," he said about her look in the video. "I wish no ill will against Rihanna and her friends. Perhaps they could acquaint themselves with a greater God."
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'Twilight' Fan Christina Perri Pens 'A Love Song To Edward And Bella'
Admitted 'Twi-Hard' is 'unbelievably honored' that 'A Thousand Years' made the 'Breaking Dawn - Part 1' soundtrack.
By James Montgomery
Christina Perri
Photo: Tim Mosenfelder/ Getty Images
For any artist, getting a song on a "Twilight" soundtrack is a pretty big deal. But for Christina Perri, whose "A Thousand Years" made the cut for the upcoming "Breaking Dawn - Part 1" album, well, "pretty big deal" is an understatement.
Perri is — to put it mildly — rather obsessed with the series, as she told MTV News on Tuesday (September 27).
"Yes, I am 1,000 percent a 'Twilight' fan. I can't even deny that I am actually, in fact, a Twi-Hard and have a 'Twilight' tattoo," she laughed, also revealing that she's Team Edward. "I got a tattoo on my wrist that says 'bitten,' and it's written in the font of all the book titles. So, yes, I am one the big, geeky fans."
For Perri, who already found success with her hit "Jar of Hearts," landing "Breaking Dawn" was a career-defining moment, not to mention a dream come true. Especially since, until the final track list was revealed Monday, she had no idea if her song made the cut.
"I'll never forget going to the screening of the movie. But, for me, having this opportunity is also such a wild card, because it's Hollywood, and you never really know. ... I wasn't even sure I was going to be on it until yesterday, when I saw it in print," she laughed. "So I tried not to get hyped out, because it's one of my favorite movies, one of my favorite books, one of my favorite soundtracks, and that could potentially freak out the little songwriter in me.
"So I tried to take it one step at a time, went to see the movie and cried like a baby, because it's so good, and I felt so lucky to be there," she continued. "And then went home and wrote a love song to Edward and Bella ... and to have it be chosen, I'm unbelievably honored."
She wrote that love song based less on the screening she attended ("It wasn't finished," Perri said. "But I still cried. Seriously, that's how good it is,") and more on the emotions she felt reading Stephenie Meyers' series ... in particular, the star-crossed love affair between Edward and Bella.
"When we went to watch the screening, they told us to see where there was temporary music added and just jump into those scenes a little harder," she explained. "But I'm fortunately a fan of the movie and the characters, and I feel like, by reading these books, I can step into that feeling that Edward and Bella have for each other. So [songwriter] David Hodges and I sat down, and it just came out in one afternoon. I feel like it was all meant to happen; I feel like it was all waiting inside me, waiting to come out."
While she doesn't know where "A Thousand Years" will be used in "Breaking Dawn," Perri said it's not all that important to her. She's just counting down the days until the film's premiere, when, finally, she'll get to hear her song on the big screen. And after that, all bets are off.
"For me, personally, this is one of my dreams coming true. And the fact that it's on the soundtrack, I'm seeing it, but I'm not sure I'm quite believing it," she said. "I have a feeling when I'm sitting in the theater with the cast, and the movie comes on and my song happens, that I'm probably at that moment either going to combust with excitement or finally believe it and probably cry a little."
Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Jay-Z Teases Concert Series At Nets' Brooklyn Arena
BK's finest reveals he'll celebrate NBA team's September 2012 move with 'a couple of concerts.'
By Rob Markman
Jay-Z
Photo: Kevin Mazur/ Getty Images
Hello Brooklyn! Jay-Z plans to return home to Brooklyn, New York, after the brand-new Barclays Center arena opens in September 2012 and perform a string of concerts to celebrate.
The Daily News is reporting that Hov will perform eight shows next fall at Barclays. The rapper appeared live from the arena's construction site for an interview with local Fox 5's "Good Day New York" on Monday (September 26) to talk about the performances. He also formally announced that the New Jersey Nets will officially be known as the Brooklyn Nets when the NBA team moves into the arena next year.
"It's great," Hov said of the move to BK. "I have a reason to come to Brooklyn often, which is fantastic for me because this is my foundation."
Jay started out as an underground rapper in the borough's Marcy Projects back in the 1980s and once lived in the area's 560 State Street. Hov, of course, went from rap star to music mogul to fashion designer to minority owner of the NBA Nets. So when Jay and Nets owner Mikhail Prokhorov bring the team to Brooklyn, who better to christen Barclays than Hov himself? "I'm going to open the building with a concert — or a couple of concerts, actually," he said, without actually confirming the number of shows. It's going to be more than about basketball; it's an entertainment arena."
The "Empire State of Mind" performer also noted that the new sports and entertainment complex has already created jobs and will continue to create jobs once it is opened. Fox News reporter Rosanna Scotto pressed on, changed the subject and asked the father-to-be the sex of his and Beyoncé's baby. "I'm not going to say, of course," Jay responded with a coy smile, although he did confirm that he and his wife already know the baby's sex.
Turning the conversation back to his beloved borough, Jay referenced a famous lyric from the Notorious B.I.G.'s 1994 hit "Juicy." "It's deep love," the God MC said of his admiration for BK. "Biggie had a line, 'Spread love, it's the Brooklyn way.' It's just how we feel, it's a deep love we have for our heroes."
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Red Cafe Feeling The Love With Valentine's Day Release Date
'I wanted to tag it with that big holiday and just give something that the people could give as a gift,' he tells MTV News.
By Rob Markman, with reporting by Matt Elias
It's been a long time coming, but on February 14, Red Café hopes to finally present to the world his labor of love.
It was 2005 when the Brooklyn MC first started buzzing with his street single "Bling Blaow," and two years later, he collaborated with DJ Envy from MTV2's "Sucker Free" to release their collaborative Co-Op street album. Now, Red looks forward to finally dropping his proper solo debut, Shakedown, on Bad Boy/ Konvict Muzik.
"February 14, Valentine's Day," Red told MTV News of his album release date, while on the video set for his current single "Fly Together" with Rick Ross and Ryan Leslie. "I wanted to tag it with that big holiday and just give something that the people could give as a gift — his or hers, it's all good."
Through the years, Café has had no shortage of high-powered street jams like "Da Hottest in Da Hood," "I'm Ill" with Fabolous and the Rick Ross-assisted "Faded," but his oft-delayed debut at times overshadowed his talent. Luckily, fans won't have to wait much longer, according to Red.
"We're in a good place. I'm excited about the album. I'm happy with what we have and where I'm at musically. I'm happy with the growth," he said. "We have a growing fanbase. I'm still learning a lot, but I know what my people want, and I think we have it on the album.
"I'm really, really excited. I got some big features on there, I got some big producers as well," Café said before revealing Fabolous as one of his collaborators. "I'm just ready to go. I can't wait for the tour, I can't wait for the release. I'm just ready for everything."
What are you expecting from Red's debut? Let us know in the comments!
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'I wanted to tag it with that big holiday and just give something that the people could give as a gift,' he tells MTV News.
By Rob Markman, with reporting by Matt Elias
It's been a long time coming, but on February 14, Red Café hopes to finally present to the world his labor of love.
It was 2005 when the Brooklyn MC first started buzzing with his street single "Bling Blaow," and two years later, he collaborated with DJ Envy from MTV2's "Sucker Free" to release their collaborative Co-Op street album. Now, Red looks forward to finally dropping his proper solo debut, Shakedown, on Bad Boy/ Konvict Muzik.
"February 14, Valentine's Day," Red told MTV News of his album release date, while on the video set for his current single "Fly Together" with Rick Ross and Ryan Leslie. "I wanted to tag it with that big holiday and just give something that the people could give as a gift — his or hers, it's all good."
Through the years, Café has had no shortage of high-powered street jams like "Da Hottest in Da Hood," "I'm Ill" with Fabolous and the Rick Ross-assisted "Faded," but his oft-delayed debut at times overshadowed his talent. Luckily, fans won't have to wait much longer, according to Red.
"We're in a good place. I'm excited about the album. I'm happy with what we have and where I'm at musically. I'm happy with the growth," he said. "We have a growing fanbase. I'm still learning a lot, but I know what my people want, and I think we have it on the album.
"I'm really, really excited. I got some big features on there, I got some big producers as well," Café said before revealing Fabolous as one of his collaborators. "I'm just ready to go. I can't wait for the tour, I can't wait for the release. I'm just ready for everything."
What are you expecting from Red's debut? Let us know in the comments!
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MTV Exclusive: Lady Gaga To Premiere Film At Paris Fashion Week
Singer will debut the film during the Mugler fashion show.
By Jocelyn Vena
Lady Gaga in a tease for her short film
Photo: Mugler
Lady Gaga is set to give her Little Monsters a big surprise at Paris Fashion Week next Wednesday. MTV News can exclusively announce that Mother Monster will debut a brand-new short film during the spring/summer 2012 fashion show for the Mugler Women's Wear Collection in Paris next week.
The film was directed by "Yoü and I" fashion-film directors and fashion photographers Inez van Lamsweerde and Vinoodh Matadin under the creative direction of Nicola Formichetti, Mugler's creative director and Gaga's stylist.
The film will feature a previously-unreleased remix of one of Gaga's songs. For those not lucky enough to attend, a special edit of the film will drop the following day online. In an exclusive behind-the-scenes still, fans are teased with a peek at Gaga's face and her long, straight blond hair. In addition, starting Monday, Mugler.tumblr.com will feature live blogging from Mugler's Atelier.
While little is known about what the Haus of Gaga have up their sleeve for this latest film, the clapper board does reveal some hints. The date on the board is 09.20.2011, perhaps a hint as to when Gaga, Formichetti, and Inez and Vinoodh shot the video.
This isn't the first time Gaga and Mugler have collaborated in this way. Besides the fact that Formichetti is her stylist, she's also given fans brand-new music at his shows. In January, she debuted a remix of her Born This Way track "Scheiße" at a Mugler fashion show. Then in March, Gaga not only walked in a Mugler show, she also debuted her song "Government Hooker" during the same show.
Experts agree that the Mugler/Gaga relationship is one of the best in the business. "Gaga working with people like Nicola Formichetti has allowed designers like him and like the late Alexander McQueen to step out of the world of high fashion, which is often perceived of as elite, and become part of the mainstream music landscape as she's used high fashion to build her own personal musical narrative," MTV Buzzworthy blog editor Tamar Anitai said.
MTV Style blog editor Mary H.K. Choi calls their work together "a pop culture moment. ... I think we can all agree that Lady Gaga's relationship with Nicola Formichetti has been entirely synergistic," she said. "When she walked the Mugler runway in Paris last season, not only did she model with aplomb, but her debut of 'Government Hooker' galvanized the show as a pop culture moment. The clothing was beautiful, granted, very much the sexy, bombastic Mugler aesthetic of the '80s and early '90s, but the confluence of Gaga, her music and Formichetti — all streamed live on Facebook — made the collection a must-see event."
For more on Lady Gaga and her style, visit Style.MTV.com.
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